The essential function of art is moral. But a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind.
This quote emphasizes the moral impact of art, suggesting that its true power lies not in conveying explicit moral lessons, but in stirring the emotions and influencing the viewer's inner life. The phrase 'changes the blood' implies a deep, visceral response that can be just as transformative as a change in one's mind.
Lawrence's quote highlights the importance of art in shaping our moral compass, arguing that it can have a profound effect on our emotional and psychological well-being, even if it doesn't explicitly teach moral lessons.
The quote is likely influenced by Lawrence's own experiences as a writer and his views on the role of art in society during the early 20th century. As a modernist writer, Lawrence was interested in exploring the emotional and psychological depths of human experience, and this quote reflects his belief in the power of art to tap into those depths.
David Herbert Lawrence was a British author, poet, and playwright who is best known for his novels, including 'Sons and Lovers' and 'Lady Chatterley's Lover'. He was a key figure in the modernist movement in literature and was known for his exploration of themes such as love, relationships, and the human condition.
The quote does not have any direct theological significance, but it can be seen as a reflection of Lawrence's views on the role of art in shaping our moral and spiritual lives. His emphasis on the emotional and psychological impact of art can be seen as a form of spiritual or moral guidance.
While the quote does not have any direct practical applications, it can be seen as a reminder of the importance of art in our lives. It can also be used as a starting point for discussions about the role of art in shaping our moral and emotional lives.
The quote has not been subject to any significant criticisms or controversies, but it can be seen as a reflection of Lawrence's views on the role of art in society. His emphasis on the emotional and psychological impact of art can be seen as a challenge to traditional notions of art as a means of conveying moral lessons.